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The Rules - Nine rules for taking great close-up images
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1 Keep your eyes peeled
Take a look around you right now and think about how any of the objects in the immediate vicinity could be turned into a great close-up image. Once you get your eyes tuned in to searching for close-ups, you'll discover subjects at every turn.
2 Research your subject
If you'd rather shoot a close-up of an animal, insect or bird, it's important that you have a good knowledge of your subject. Whilst you may come across some great subjects by accident, you'll improve your chances ten fold by knowing where and when to find them.
3 Take note of the light
Soft, overcast light is particularly suitable for flowers and plants but is ideal for almost any macro subject. Bright sunlight is great for bringing out the vibrant colours and for backlighting the subject.
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4 It's not all about expensive lenses
If you're really into close-up photography then consider splashing out on a specialist macro lens. Alternatively, you can use close-up filters, which screw onto the end of the lens and allow it to focus closer.
5 Use a tripod
In most situations it's best to use a tripod for macro work. It will reduce any issues with camera shake, help enormously when composing your pictures and aids focusing as the camera position is fixed.
6 Focus carefully
Autofocus is fine for some subjects but for greater control, switch to manual focus. For wildlife such as butterflies and dragonflies, focus on the subject's eye. To maximise subject sharpness, position your camera parallel to your subject.
7 Take control of the aperture
When working at very close distances the extent of your subject that is focus (depth of field) is very shallow. Depth-of-field can be increased by selecting a small aperture such as f/11 or f/16, which will bring more of the subject into focus.
8 Compose carefully
Good close-ups require attention to detail when it comes to composition. Symmetrical subjects such as a butterfly or a straight on view a flower may look best placed centrally in the frame whilst a flower spike might work better placed off to one side. It's good practice to shoot various compositions with the subject placed at different positions within the frame.
9 Work your subject
To get the most from your subject, work it hard and explore every possible shooting angle. This not only generates lots more useable images but also helps develop your own style.
Advice
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